Image Courtesy of TIFF Lucile Hadžihalilović’s latest film Earwig is a bleak tableau of strange, artistic nihilism. Albert (Paul Hilton) is tasked with looking after a little girl Mia (Romaine Hemelaers). He must change an intricate headgear that collects what looks like her saliva, freeze those drippings in a cast for teeth, and fit her with previously... Continue Reading →