On a rare 29th day of February 2020, I gave a lecture for Toronto’s Black Museum: Lurid Lectures for the Morbidly Curious on The Omega Man and the inadvertently Afrofuturist themes called The Omega Man’s Utopian Dystopia. I spoke about how this classic film has an Afrofuturistic bent without seemingly trying. Sure, it was... Continue Reading →
As a Black Canadian with Caribbean heritage, I know some of my family's origins, coming from India, Africa, the Indigenous tribes of the Caribbean and white colonialists. To connect the dots to the lineage would be a huge undertaking, but at least I'm aware of some of my family's background. But what if you're a... Continue Reading →
Black women deal with a perpetual struggle to be seen. And with that struggle comes how we see ourselves and how we are presented, which manifest differently to each observer. As we fight to wave our empowerment flag, some may see it as a signal to attack or that we are prey, things to be... Continue Reading →
A family tragedy, bloodlines and a dark legacy haunt The Secret of Sinchanee. After his father's death, Will (Stephen Grayhm) must deal with unresolved feelings when inheriting his childhood home. No one in town wants to buy it since it's shrouded in mystery, so Will moves in despite his apprehension. Soon, terrifying nightmares plague him,... Continue Reading →
The Halloween franchise was revamped in 2018, creating a frenzy when fans learned Jamie Lee Curtis was back as Laurie Strode, the ultimate final girl inextricably tied to perpetual boogeyman Michael Myers. This version of Halloween, directed by David Gordon Green, follows up 40 years after the John Carpenter classic from 1978. Everyone is much... Continue Reading →
A traumatized woman looks for answers in the tense horror-thriller Knocking. Molly (Cecilia Miloccco) has spent the past year dealing with trauma. She's being discharged from the hospital's psychiatric ward and is trying to start her life again, but the loss of her partner Judith (Charlotta Åkerblom) puts a dark cloud over everything she does.... Continue Reading →
With a mix of horror and western genres, Jean Luc Herbulot's Saloum spotlights unlikely heroes, traditional beliefs and a whole lotta action to grace any film fanatic's eyeballs. Chaka (Yann Gael), Raffa (Roger Sallah), and Minuit (Mentor Ba) are a trio called the Bangui's Hyenas. These mercenaries clean up for the military in 2003, during... Continue Reading →
Image courtesy of TIFF You Are Not My Mother is a fantastic creepy yarn for Halloween frights. It’s days before Halloween and the Irish celebration Samhain in a Dublin neighbourhood. As the community prepares for the holiday, Charlotte or Char’s (Hazel Doupe) house is quiet. Char’s mom Angela (Carolyn Bracken), is lethargic and listless, sleeping... Continue Reading →
Image courtesy of TIFF Agustina San Martin mesmerizes with unknown dangers and the power of one girl's self-discovery. Emilia (Tamara Rocca) is searching for her missing brother Mateo. After their mother's death, he hasn’t responded to her calls, so she travels to the remote town where he lives, on the border of Argentina and Brazil.... Continue Reading →
A man fears for the well-being of his sons in Encounter. Malik (Riz Ahmed) is an ex-navy seal who is on a different kind of mission. He has been researching extraterrestrial parasitic organisms that take over humans through insects, and worried about his sons Jay (Lucian-River Chauhan) and Bobby (Aditya Geddada), decides to rescue them... Continue Reading →
Reviews and essays on genre film from a WOC perspective
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burke –verb (used with object), burked, burk·ing. to murder, as by suffocation, so as to sell the corpse to medical science
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Reviews and essays on genre film from a WOC perspective
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Reviews and essays on genre film from a WOC perspective
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