TIFF 2020: The Third Day

Folk horror is alive and well. Before Ari Aster's Midsommar in 2019, we also had the buddy trip turned pagan nightmare The Ritual in 2017, The Witch in 2015, and classics like Witch Finder General in 1968, and of course, the 1973 The Wicker Man, among others. Now you can add another sinister village to that... Continue Reading →

Fantasia Film Festival 2020: Kriya

A night out at the club where the triumph of a sick DJ set and meeting a beautiful woman ends in a nightmare in Sidharth Srinivasan’s Kriya. Neel (Noble Luke) is a DJ who meets Sitara (Navjot Randhawa) after he plays at a nightclub. They are hot and heavy with each other, and Sitara decides... Continue Reading →

Review: Useless Humans

Living in these quarantine times can be heavy since our lives have drastically changed. With all the disturbing news reports, sometimes a laugh is in order, and the sillier, the better. You’ll find an abundance of LOL silliness with Stephen Ohl’s first feature, Useless Humans. Brian (Josh Zuckerman) is turning thirty and looking forward to... Continue Reading →

In Plain Sight: Indigenous Representation

  I'm furious about an editorial piece in a Toronto newspaper with an inflammatory headline asking why racism against Indigenous people isn't getting more attention. The editors cite that there has been more reporting on anti-Black racism, and that's the most divisive thing I've heard during the uprising. I'm not adding a link to this... Continue Reading →

In Plain Sight: Brown Girl Begins

Afrofuturism is a term coined by cultural critic Mark Dery, but I tend to lean towards writer and filmmaker Ytasha Womack’s definition which states: “Whether through literature, visual arts, music, or grassroots organizing, Afrofuturists redefine culture and notions of blackness for today and the future. Both an artistic aesthetic and a framework for critical theory,... Continue Reading →

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