Paul G. Tremblay creates gut-wrenching worlds that make you question what you believe. In A Head Full of Ghosts, he took the arena of reality TV and family drama and mixed it with psychological horror to make you question what's real. In A Cabin at the End of the World, he does it again, with... Continue Reading →
It’s nice to see more female-led productions defying the odds these days. You'll find this with Alexandra Kotcheff and Hannah Leder's indie charmer The Planters, which captures loneliness and friendship in this time of isolation. Martha Plant (Kotcheff) lives by herself in her childhood home. Her parents died a year ago, and she’s a repressed,... Continue Reading →
Dealing with a dying loved one is difficult enough, but when mental health, family bonds, and grief get side-swept with the supernatural, you get Bryan Bertino’s The Dark and the Wicked. Louise (Marin Ireland) joins her brother Michael (Michael Abbott Jr.) at their family home to help their mother (Julie Oliver Touchstone) look after their... Continue Reading →
Reviews and essays on genre film from a WOC perspective
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burke –verb (used with object), burked, burk·ing. to murder, as by suffocation, so as to sell the corpse to medical science
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Reviews and essays on genre film from a WOC perspective
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Reviews and essays on genre film from a WOC perspective
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