In Mlungu Wam (Good Madam), archaic ideals take on a nightmarish role for a woman and her family. Tsidi (Chumisa Cosa) is estranged from her extended family after her grandmother dies. She leaves the family home to stay with her mother, Mavis (Nosipho Mtebe), a maid for an ailing, rich white woman named Diane (Jennifer... Continue Reading →
Perspective is everything in Laura Casabé’s film Los Que Vuelven (The Returned). Julia (María Soldi) is the wife of a landowner Mariano (Alberto Ajaka), in 1919 Argentina. She hasn’t been able to have a live birth. When her third child dies, she begs her indigenous housekeeper Kerana (Lali González), to take her to a mountain... Continue Reading →
The Taiwanese Government was under martial law in 1962, so anything considered left-wing or remotely communist was barred and could be punishable by death. In John Hsu’s film Detention, we see how a secret book club puts the lives of both student and faculty in jeopardy. Wei (Jing-Hua Tseng) is a student at Greenwood High... Continue Reading →
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burke –verb (used with object), burked, burk·ing. to murder, as by suffocation, so as to sell the corpse to medical science
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Reviews and essays on genre film from a WOC perspective
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