Extreme cinema has its purpose, usually to tell a story in the most shocking manner to get a visceral response as we watch. While some directors use it for pure shock value, others reject the formulaic films cranked out of the incessant Hollywood machine. Some feel that extreme representation of brutality, sexuality, and gore is... Continue Reading →
Shudder consistently offers new and exciting films that surpass all the generic horrors out there. This time, they’ve brought us director and writer A.D. Calvo who takes us back in time to combine a lonely teenage girl, unrequited love, creepy gothic horror, and a retro vibe for his latest film Sweet, Sweet Lonely Girl. Adele... Continue Reading →
Our favorite horror films create a life of their own, with fandom and facts for days. Nightmare on Elm Street's Freddy, Friday the 13th's Jason, and Halloween's Michael top the list; giving horror aficionados plenty of insider info to rhyme off-who played who in what year, what order sequels should be watched, and who played... Continue Reading →
A forest sparkling with fairy dust, it’s woodland floor peppered with what can only be called anus mounds; psychedelic collages of body parts flashing before your eye to an electronic beat; poxy-faced characters in absurd and disturbing circumstances as they struggle through the literal muck of life. That muck, which at first looks like your garden... Continue Reading →
I am beside myself with relief, joy and optimism because my life as a black woman horror fan has been validated. When I watched horror films as a young person, I cringed when a black character appeared, certain they were going to be ridiculed, portrayed as a caricature, or something bad was going to happen... Continue Reading →
Reviews and essays on genre film from a WOC perspective
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burke –verb (used with object), burked, burk·ing. to murder, as by suffocation, so as to sell the corpse to medical science
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Reviews and essays on genre film from a WOC perspective
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Reviews and essays on genre film from a WOC perspective
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