Who do we have to rely on when the chips are down and we have to fight a mysterious creature while we take refuge on a deserted island? This is the dilemma for a young woman in J. D. Dillard’s Sweetheart. Jenn (Kiersey Clemons) has washed ashore a beautiful and secluded tropical island. The boat... Continue Reading →
See You Yesterday Taps Into Sci-Fi and the Black Lives Reality
Netflix does it again by taking a chance on representation. In the tradition of classic T.V. series like Sliders and Quantum Leap, Stefon Bristol's first feature film See You Yesterday combines time travel, mistaken identity, and black family bonds for a strong sci-fi debut. C.J. (Duncan-Smith) and Sebastian (Crichlow) trying to figure out time jumping.... Continue Reading →
Jordan Peele’s Us and The Impostor Within
This past weekend, Jordan Peele’s second feature film Us opened to record numbers at the box office, once again proving our confidence in his talent as well as the need for more horror. His latest contribution takes another look at (North) American culture, but this time it’s a deep dive into who we see in... Continue Reading →
Get Out: Terror, Tension, and Race in the Modern Horror
The buzz has been on about Get Out since late last year when it was announced that Jordan Peele, award-winning comedian and actor know for the hit comedy series Mad TV and co-creator of Key and Peele, had written and directed his first film, and not only was it a horror, but it carried a... Continue Reading →
Shudder Exclusive: Kuso the Anti La-La Land
A forest sparkling with fairy dust, it’s woodland floor peppered with what can only be called anus mounds; psychedelic collages of body parts flashing before your eye to an electronic beat; poxy-faced characters in absurd and disturbing circumstances as they struggle through the literal muck of life. That muck, which at first looks like your garden... Continue Reading →
The Tokoloshe: Mythology and Modern Trauma
With the South African film industry making new strides to create opportunities for local and foreign filmmakers, director Jerome Pikwane tackles the horror genre with his first feature film The Tokoloshe. Busi (Petronella Tsuma) is a desperate young woman who finds work at a derelict hospital as a night-shift cleaner. She must deal with a predatory... Continue Reading →
Horror Noire: History Lesson, Validation and Hope for Black Horror
I am beside myself with relief, joy and optimism because my life as a black woman horror fan has been validated. When I watched horror films as a young person, I cringed when a black character appeared, certain they were going to be ridiculed, portrayed as a caricature, or something bad was going to happen... Continue Reading →
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