Cole (Caleb McLaughlin) is a teen who keeps getting into trouble. His mom is fed up with Cole’s behavior, so she packs him in the car, driving from Detroit to Philidelphia to live with his father, Harp (Idris Elba). Harp is a cowboy on Philidelphia’s Fletcher St, known as the home to a long tradition... Continue Reading →
TIFF 2020: Violation
When a woman is subjected to an act of violence, it has to be obvious; otherwise, she will most likely be to blame. There's no room for subtleties, with sympathies reserved for a stranger/victim dynamic. In Violation, Madeleine Sims-Fewer and Dusty Mancinelli's feature debut, sexual violence and familiarity cross the breaking point for one woman... Continue Reading →
TIFF 2020: Akilla’s Escape
When a life shaped by manipulation and violence is all you know, it can be difficult to change patterns as an adult. In Charles Officer's Akilla's Escape, we see one man surrounded by danger determined to live by honor and kindness, regardless of the cost. Akilla (Saul Williams) runs a marijuana grow-op in Toronto. He... Continue Reading →
TIFF 2020: The Third Day
Folk horror is alive and well. Before Ari Aster's Midsommar in 2019, we also had the buddy trip turned pagan nightmare The Ritual in 2017, The Witch in 2015, and classics like Witch Finder General in 1968, and of course, the 1973 The Wicker Man, among others. Now you can add another sinister village to that... Continue Reading →
TIFF 2020: The Way I See It
Dawn Porter, who brought us John Lewis: Good Trouble about the late activist and Congressman earlier this year, does it again. If you’ve seen the John Lewis documentary, you’ll fall in love with this candid look behind the scenes with a former White House photographer in her new documentary The Way I See It. Porter... Continue Reading →
TIFF 2020: Night of the Kings (La Nuit des Rois)
Tall tales, danger, and a dark world of honor take center stage in Philippe Lacôte’s Night of the Kings. MACA is a notorious prison in Côte D’Ivoire, D’Abijan. It’s overcrowded and neglected, and the inmates are left to their own devices, creating a hierarchy and society that suits their needs. From the outside, MACA looks... Continue Reading →

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