As a programmer for The Blood in the Snow Film Festival, I have the privilege of seeing some fantastic films created here in Canada, and I feel even luckier when we acquire them. One such film, She Never Died, screened in 2019 to great acclaim. Directed by Audrey Cummings, it’s not exactly a sequel to... Continue Reading →
Mati Diop’s Atlantics (Atlantique) is a tale of loss, eternal love and a vibrant vision of modern African storytelling very much needed to expose filmgoers to new representations of genre film. In the city of Dakar, Ada (Mame Bineta Sane) is betrothed to the rich and worldly Omar (Babacar Sylla) and she’s not happy. She... Continue Reading →
If you’re thirsting for an Asian horror-inspired, stylized roller coaster ride with buckets of tension, look no further than Richard Shepard’s The Perfection. Charlotte (Allison Williams, Girls, Get Out) is a musical prodigy. Enrolled in the elite Bachoff Academy where students are hand-picked for their talent, she is destined to become a legendary cellist. Family... Continue Reading →
The 90s were a big shiny blur for me. I was a coltish 21 in 1991 and then suddenly I was 30, missing out on being a teen during that decade, but still young enough to consume the teen entertainment up for grabs. During that big shiny blur was a new kind of horror, one... Continue Reading →
I am beside myself with relief, joy and optimism because my life as a black woman horror fan has been validated. When I watched horror films as a young person, I cringed when a black character appeared, certain they were going to be ridiculed, portrayed as a caricature, or something bad was going to happen... Continue Reading →
Reviews and essays on genre film from a WOC perspective
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Where All Things Film Converge
burke –verb (used with object), burked, burk·ing. to murder, as by suffocation, so as to sell the corpse to medical science
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Reviews and essays on genre film from a WOC perspective
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Reviews and essays on genre film from a WOC perspective
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