I was invited to do another presentation for Fantasia 2021! This was something brewing in my head for a while, so I was thrilled to explore Black women in a monstrous role. I wanted to reach back and reveal how Black women are seen in general and apply those perceptions to some of our favourite... Continue Reading →
Conforming oneself to impossible images is a struggle in this world of instant gratification, visual stimulation and filtering our flaws away. They can often trigger deeper psychological and mental health issues. In Shapeless, director Samantha Aldana shows us the monstrous side of body dysmorphia and eating disorders. Ivy (Kelly Murtagh) is a singer in New... Continue Reading →
Growing up is difficult for most. Learning who you are, what influences you, and nurture versus nature all factor in developing as a human being. When family secrets and dysfunction come into play, the “coming of age” process becomes much more complicated. Julia Ducournau’s film Raw takes these factors with a female perspective, creating a... Continue Reading →
Shudder consistently offers new and exciting films that surpass all the generic horrors out there. This time, they’ve brought us director and writer A.D. Calvo who takes us back in time to combine a lonely teenage girl, unrequited love, creepy gothic horror, and a retro vibe for his latest film Sweet, Sweet Lonely Girl. Adele... Continue Reading →
A woman’s fight to gain independence is a constant one. In Natasha Kermani’s Lucky, we see a motivational writer struggle to take her own advice within an endless loop fighting an unknown assailant. May (Brea Grant) is a successful self-help author, but her latest book isn’t doing so well. She’s also trying to reconnect with... Continue Reading →
As a programmer for The Blood in the Snow Film Festival, I have the privilege of seeing some fantastic films created here in Canada, and I feel even luckier when we acquire them. One such film, She Never Died, screened in 2019 to great acclaim. Directed by Audrey Cummings, it’s not exactly a sequel to... Continue Reading →
Mati Diop’s Atlantics (Atlantique) is a tale of loss, eternal love and a vibrant vision of modern African storytelling very much needed to expose filmgoers to new representations of genre film. In the city of Dakar, Ada (Mame Bineta Sane) is betrothed to the rich and worldly Omar (Babacar Sylla) and she’s not happy. She... Continue Reading →
If you’re thirsting for an Asian horror-inspired, stylized roller coaster ride with buckets of tension, look no further than Richard Shepard’s The Perfection. Charlotte (Allison Williams, Girls, Get Out) is a musical prodigy. Enrolled in the elite Bachoff Academy where students are hand-picked for their talent, she is destined to become a legendary cellist. Family... Continue Reading →
The 90s were a big shiny blur for me. I was a coltish 21 in 1991 and then suddenly I was 30, missing out on being a teen during that decade, but still young enough to consume the teen entertainment up for grabs. During that big shiny blur was a new kind of horror, one... Continue Reading →
Reviews and essays on genre film from a WOC perspective
Where All Things Film Converge
burke –verb (used with object), burked, burk·ing. to murder, as by suffocation, so as to sell the corpse to medical science
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Reviews and essays on genre film from a WOC perspective
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Reviews and essays on genre film from a WOC perspective
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