In Mlungu Wam (Good Madam), archaic ideals take on a nightmarish role for a woman and her family. Tsidi (Chumisa Cosa) is estranged from her extended family after her grandmother dies. She leaves the family home to stay with her mother, Mavis (Nosipho Mtebe), a maid for an ailing, rich white woman named Diane (Jennifer... Continue Reading →
I was invited to do another presentation for Fantasia 2021! This was something brewing in my head for a while, so I was thrilled to explore Black women in a monstrous role. I wanted to reach back and reveal how Black women are seen in general and apply those perceptions to some of our favourite... Continue Reading →
A young woman channels trauma, a sensory condition, and obsession into her artistry in producer Alex Noyer’s directorial debut, Sound of Violence. Alexis (Jasmin Savoy Brown) is a brilliant young woman. A teaching assistant in the music department at a college, she creates beats with the help of her roommate Marie (Lili Simmons), who customizes... Continue Reading →
As a programmer for The Blood in the Snow Film Festival, I have the privilege of seeing some fantastic films created here in Canada, and I feel even luckier when we acquire them. One such film, She Never Died, screened in 2019 to great acclaim. Directed by Audrey Cummings, it’s not exactly a sequel to... Continue Reading →
Mati Diop’s Atlantics (Atlantique) is a tale of loss, eternal love and a vibrant vision of modern African storytelling very much needed to expose filmgoers to new representations of genre film. In the city of Dakar, Ada (Mame Bineta Sane) is betrothed to the rich and worldly Omar (Babacar Sylla) and she’s not happy. She... Continue Reading →
Who do we have to rely on when the chips are down and we have to fight a mysterious creature while we take refuge on a deserted island? This is the dilemma for a young woman in J. D. Dillard’s Sweetheart. Jenn (Kiersey Clemons) has washed ashore a beautiful and secluded tropical island. The boat... Continue Reading →
Formulaic teen slasher films have been around for decades. Popular kids who fulfill all the tropes chased by an immortal antagonist, one who is relentless in its pursuit and thorough in its decimation of all things young and fancy free. But this time, the boogeyman is a black woman who harbors a deep-seated anger for... Continue Reading →
With the South African film industry making new strides to create opportunities for local and foreign filmmakers, director Jerome Pikwane tackles the horror genre with his first feature film The Tokoloshe. Busi (Petronella Tsuma) is a desperate young woman who finds work at a derelict hospital as a night-shift cleaner. She must deal with a predatory... Continue Reading →
I am beside myself with relief, joy and optimism because my life as a black woman horror fan has been validated. When I watched horror films as a young person, I cringed when a black character appeared, certain they were going to be ridiculed, portrayed as a caricature, or something bad was going to happen... Continue Reading →
Reviews and essays on genre film from a WOC perspective
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burke –verb (used with object), burked, burk·ing. to murder, as by suffocation, so as to sell the corpse to medical science
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Reviews and essays on genre film from a WOC perspective
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Reviews and essays on genre film from a WOC perspective
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