TIFF 2021: Petite Maman

Image courtesy of TIFF

In the leafy childhood paradise of Céline Sciamma’s Petite Maman, you’ll discover one girl’s journey to understanding and love.

Nelly (Joséphine Sanz) is an eight-year-old girl helping to pack up her recently deceased grandmother’s house. Nelly’s mother (Nina Meurisse) is sad because of the loss, and grief makes her distant. One morning, Nelly learns her mother has left for a spell. Alone with her kind but preoccupied father, Nelly explores the forest surrounding her grandmother’s home, where she meets another little girl named Marion (Gabrielle Sanz), building a hut out of branches. Nelly helps Marion, and the girls quickly become friends, finding solace in their loneliness. Nelly is a comfort to Marion, who is due for surgery, and they become inseparable, and Nelly soon finds their bond goes much deeper than she expected.

Celine Sciamma broke my heart with Girlhood in 2014, and she makes it full again with Petite Maman. Even if she hasn’t passed on, missing one’s mother is such a deeply felt thing. Not connecting with the person that gave birth to you is trying, so to have a chance to find some understanding and friendship is a gift, allowing us to see our parents before they had a family, to see their dreams and fears before they were overshadowed by responsibilities. Sciamma captures this in such a simple way, without the distraction of a sentimental soundtrack. It’s just the actors, their surroundings and the emotions they will undoubtedly stir in the viewer as the story unfolds.

The child actors are siblings and give sober, mature performances that still capture the innocence of youth, immersing the audience in the nostalgia of being a child at play, making friends and living in a world of constant curiosity.

The emotional hits during Petite Maman will blindside you, but that’s not a bad thing. This sweet fantasy based on relationships, loss and vulnerability is sure to tug at many a heartstring, and it’s well worth it.

Check out the festival here.

Comments are closed.

Blog at WordPress.com.

Up ↑

View From the Dark

Reviews and essays on genre film from a WOC perspective

Cinema Axis

Where All Things Film Converge

timwburke

burke –verb (used with object), burked, burk·ing. to murder, as by suffocation, so as to sell the corpse to medical science

The Daily Post

The Art and Craft of Blogging

grotesque ground

Promoting the grotesque in cinema and literature.

Glenn Specht Photographer

Reviews and essays on genre film from a WOC perspective

CURNBLOG

Movies, thoughts, thoughts about movies.

crazynonsensetalk

A ranting woman's mind

The Tyranny of Tradition

Lamentations and Jeremiads 25 Years After The End Of History

What Are You Doing Here?

A Black Woman's Life and Liberation in Heavy Metal

Writing is Fighting

Reviews and essays on genre film from a WOC perspective

WordPress.com News

The latest news on WordPress.com and the WordPress community.

%d bloggers like this: